the blog of Eartha L. Goodwin

photography video words

Tuesday, June 30, 2009

Solo in The Wooltex Gallery


Solo in The Wooltex Gallery
Originally uploaded by Eartha Goodwin.


I took this before my meeting about my upcoming exhibit, October 2-30, at the Wooltex Gallery at the Tower Press building in Cleveland, Ohio
Ironically and oh so timely, I created my Vortex on the same floor.....more to come on this...

Sunday, May 24, 2009

transmission


transmission
Originally uploaded by Eartha Goodwin.

Monday, April 27, 2009

St Remy Lavande


St Remy Lavande
Originally uploaded by laurencemartini.

Tuesday, April 14, 2009


Eartha_G_Mask
Originally uploaded by Eartha Goodwin

Tuesday, November 04, 2008

A woman moves

dos
The woman moves...
Her petals transition
with a haunting beauty.
She enters into motherhood
with a gasp of wonder.
PS
Her days pass
with a harmonious
passion and acceptance
of what is light and dark.
C
She is conscious of her whereabouts,
the weather, and this something
of which she feels
is about to become
known. She waits
and hopes for truth.
A
Miracles occur all
around her. Pure beauty
of the truth
through her child grants
her peace. She rests
in the arms of love.
She slips off into a dream.
Her talent multiplies and her
vision becomes clear.
envirovixen
Death and Recognition.
Environmental Awareness
A connected balance
of three shifts
to a path for one.
She goes on...
with faith.
thoughts of the forests
Transitions
and knowledge have
brought you here.
pestilence
You have been stripped
of your identity
of your place.
But with skills...
you will love what it is
that you do.
transitionary and posed
Finger printed by fate..
the wondering soul
struggles with having
a sense of place.
What was once so ingrained
has dissolved into a
view of a thousand little
tiny houses, set on a hill
in the distance.
fingerprinted
Certainly, I will
find myself here, she thinks.
A place of warmth and love-
a groove.
feeling in San Francisco
The thousand little tiny houses
looked back at the woman
staring in the mournful bliss.
They reflected her soul
and everything went quiet.
notclev
She reflected inward
to find darkness.
A light of soft round
diffusion appeared
only to reveal itself
independent of pain-
But energized by
personal truth.
She found shelter
and planted some seeds.
tres
Now there is a new woman.
Her shape once again evolving
into a most magnificent
complexity. Her form
is different-more advanced.
She has moved again.
The gesture of discernment
awakens and the woman moves once more.

Wednesday, August 27, 2008

Espace at 10.5 by Nate


Espace at 10.5 by Nate
Originally uploaded by Eartha Goodwin.

Monday, August 25, 2008

10.5



Originally uploaded by Nate Lucchese.

Tuesday, July 22, 2008

intrid


intrid
Originally uploaded by Eartha Goodwin.

Wednesday, May 21, 2008

beautiful..

Friday, February 01, 2008

Walking thoughts

Walking thoughts

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Thursday, January 10, 2008

the great big LOVE YOUR BODY show!

Love your Fat front
see http://www.swanketyswank.com for readable details

Wednesday, December 05, 2007

Photo intensive in Portland

read the description.
An image of Samae created by her student, Shawna, who used the 4x5 camera to capture this portrait during the photo intensive at New Space Photo Center in Portland.
This past week I traveled to Portland to be a guest instructor to a group of selected students from a local public high school. The students made portraits of one another using a 4x5 camera in a studio setting...at New Space Photo Center.
Each day, after an intense 4 hour studio session at Newspace, we toured exhibits at The Pacific Northwest College of Art and Design, the Contemporary Crafts Museum, and the Portland Museum of Art.
The students created many 16x20 inch fiber based prints in the darkroom at Newspace Photo Center **did I mention how cool Newspace is...and that they are Not for profit--and they know what is up in photo..they rent! Ask for Chris! www.newspace.org
Here is a little video of some time I had free to shoot video...not much..but you get a hint of what it what was like...I HAD A BLAST!

(i think i get to go back in the Spring for another intensive!)

Sunday, November 25, 2007

there's peace here


there's peace here
Originally uploaded by Eartha Goodwin.

RE-visiting the Environmental Awareness series...This piece is now hanging in my "room"...and is also framed and for Sale in Swankety Swank-a boutique of art, furniture, and gifts in San Francisco.
Visit www.swanketyswank.com to get all the details.

Tuesday, November 06, 2007

Some video montages I have created

Check out this video: when I get old..Remind me of this






..

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Check out this video: An Eartha L montage video






..

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Tuesday, July 31, 2007

Burnin' the Midnight Oil


Burnin' the Midnight Oil
Originally uploaded by dj_metronome.

computing on the west coast

Friday, July 06, 2007

Tremont neighbors


Tremont neighbors
Originally uploaded by Eartha Goodwin.

Mittal Steel puffs upwind to the neighbors of Tremont in Cleveland, Ohio

polluted flow


polluted flow
Originally uploaded by Eartha Goodwin.

Mittal Steel in Cleveland, Ohio

Tuesday, June 26, 2007

the unbearable lightness of being

new light

intricate growth

growth

Wednesday, June 06, 2007

My first time: The Scene Magazine Cover

The time is 10:50 pm, Tuesday, I can feel Wednesday coming close. This Wednesday is special for me, as it will be my first time.

One of my pictures will be printed on the cover of the Cleveland Scene Magazine (and over 8 more inside). I can hear the presses doing the chitter chatter of newsprint slapping down into stacks of this weeks issue. I will be out and about doing a photo series of where "my cover" will show up...and I was wondering if ya'll could keep your cameras with you and eyes open for interesting use of ohio's largest alternative weekly magazine...ooou.

I came up with the concept for the cover based on visions of my image crumpled up in the trash with coffee on it, blowing down the street in downtown Cleveland, being used as cover by a homeless person or a guy in a suit. My photo...is about to be altered and translated and re-interpreted by thousands of people in one way or another....and I think that is pretty awesome.

I was blessed to come into contact with exactly who was needed to pull this idea off.
TanyaSadieDaveLeah
Tanya, Sadie, Dave, and Leah were an incredible team of individuals who represented...our theme..in a most positive way.

Ivan Williams just touched the hair with his hands. Pat Murphy held the reflector, and brought refreshments. Terri at Turnstyle Boutique in Lakewood turned out some clothes, as well as Tanya from her Vintage Dollz Cleveland collection, and Krisztina Lazar delivered us into the eighties with the leg warmers.
I got to express my makeup artist self...and shoot my vision...

floatation and vortex reflection.

Thanks to everyone for helping us making this a super fun experience.
I am a happy Eartha.
duende


Peace.

Tuesday, May 29, 2007

Posing the hands is the hardest part-A brown study.


Posing the hands is the hardest part-A brown study.
Originally uploaded by anselpixel.

the dirty thirty shoot....
photo: Roger Sizemore
ANSELPIXEL

Wednesday, May 09, 2007

pindrop dewpoints


pindrop dewpoints
Originally uploaded by Eartha Goodwin.

garden energy uprising

FU-2


FU-2
Originally uploaded by trudi_.

non emotional response

Flickr

This is a test post from flickr, a fancy photo sharing thing.

Sunday, May 06, 2007

La Portraita de Eartha

portraito del Eartha
I saw Derek today walking with this frame. I said, " Hey, whatcha got there?" then he flipped it around...and It was me!
I think the lips are very inspired..and interestingly mine, but not....

Saturday, May 05, 2007

proof of evolution after destruction

I was thinking about my past "vent post," the one about when my car burned up...and I feared the ultimate "broken-downess." Since that momentus occasion I have evolved in some interesting ways, and I feel it is relevant to share.

The absence of the car has affected me very little, however, I do live downtown.
My friend Angela,Angela has shined as a friend offering me rides...and my bike, legs, and the buses have commuted me around just fine. The thing I have enjoyed the most is replacing my driving "processing" time with real working it out time. I am at peace, people.

Increasing the blood flow to through my body has really done my mind some immeasurable good. I am glad to see the new muscles and its all good...but becoming screaming instead of screaming is really the best option, I say.

logoI am happy to report that my photography work is picking up and becoming more and more interesting with each job.

Recently, I started teaching polaroid pinhole to 11 year olds, for an after school program at Spaces, in conjunction with Manuel Acevedo's Manuel Acevedo"Intervention." We will have an exhibit of the student's work at a date TBA.
I also started photographing the residentsbeing pinholed around the Mittal Steel Mill (AKA LTV) in slavic village. I am really interested in developing more of an understanding of what these people know about their "neighborhood's environmental integrity."cleveland's own

pink-EI photographed a super cool mac barbie birthday party where all the girls had muy perfecto MIchimakeup done by MAC make-up artist, Erin Parsons. girlisI brought my frame pink ladyand made some pretty badass photos, If I do say so myself.

Tomorrow, or today, whichever comes first, Wednesday, I have my first photograph for Scene being published of the Dreadful Yawns, who have a cd release party going on this Friday at Parish Hall. I portayed them within my vortex.Dreadful Yawns dream

Things are ok for Eartha, infact, I am inspired and ready for many new and exciting experiences and opportunities. ...and more creative ways getting places.

PEACE TO YOU PEOPLE!

Tuesday, March 06, 2007

fire and transition

My car burned up.
Those four words are fact.

That fact has caused me to become introspective, as well as very moody...depressed has entered my mind, but really its a shifty kind of feeling.. since cars are really a pain in the ass anyway..however..they do offer us a freedom to haul ourselves and stuff around. They become useful when a child needs to get picked up or dropped off..or whatever. They give us the convenience to get to A to B with little or no trouble at all....I guess same goes for the bike, boat, bus, ship, airplane...etc. Heck, my legs count too. So why am I so pissed.

I am trying to overcome the feelings of defeat. Of course, it wasn't worth the full coverage...at least worth the cost of a monthly premium. for a Korean car with little or no resale value.

I do not have money for a new car...and yes..I am upset about it.

I am happy to say that I am not a suburbanite, living right downtown in a building with lots of people who I know, at least, I am central.

Transitions happen at climatic points in our lives, right?
I believe that watching your car engulfed with flames would mark major change.
(No, I did not have a camera. I had groceries and my kid. When your car is on fire..you don't think about your stuff..you think about getting your child out ASAP)

I was sad about the groceries..we had just spent $50...but whatever...thats the least of my worries. ...worries...I don't like to worry. But who does? We are the same...and shit happens to all of us.

Perhaps..when I stand way back and look at the BIG picture, I will see how all of this makes sense..
As a person who does have faith...I do believe this is a marker for transition...and this shift will only help me evolve better as a mother and a person living in this world. I will not be defeated. I am not defeated.

This is a messed up situation though...and if anyone has any suggestions..or help they would like to offer..I am OPEN.

My friend suggested a paypal donation bin for Claes and I.....
If you do donate to us.







or enter autobirth@yahoo.com

I'll send you a print. You can pick one from my site, if you would like.

I am still a photographer...and I can still get around...so if you need my services...I am ABLE.
http://www.earthaphoto.com

I am still having people over on Saturday for a Potluck dinner....I'm not so sure I want anyone's luck....I'm having issues with that right now. Really, I'm just looking forward to some positive energy coming my way...smiles and good food..and some good music.

Thanks for reading this....I feel better for venting.

PEACE.
Eartha

Monday, February 12, 2007

Atterbury...my first animal portrait...already a movie

Atterbury

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Thursday, February 08, 2007

NEW PROMO

NEW promo designed by Bernard

Saturday, January 20, 2007

Children of an Idle Brain

Children of an Idle Brain

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Thursday, January 18, 2007

Falling in Dreams-Presenting the merging of photography and video...


Presenting the merging of photography and video...
The Collaboration of Eartha L. Goodwin and Bernard Sokolowski
Friday, January 19
5pm-9pm
Tower Press Building
1900 Superior Avenue E, suite 107
Cleveland, Ohio 44114

There will also be a photography exhibit and reception for Great Lakes Publishing...at the Artefino Gallery/Cafe on the same floor.

If you like to observe..this is your night!

Sunday, January 07, 2007

Reflection-the water dance

Evolution

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Wednesday, November 29, 2006

Eartha L. Goodwin

Eartha's mind is wanderin with some focus
photo credit: Patrick Murphy

Tuesday, November 07, 2006

Turnstyle Boutique in Lakewood, Ohio

turnstyle texture
Turnstyle Boutique combines the intimacy of a deluxe dressing room and chic New York boutique at 13345 Madison Avenue in Lakewood. The cozy boutique offers a red carpet to mostly New York based clothing labels such as Zio, Juno, and Voxx with prices anyone can appreciate ($15-$68).

Owner, Terri Lynn Amos, a native of Philadelphia has an innate ability to translate the style of different women. A natural boutique owner, she interprets strength and empowerment mixed with a feminine flavor, providing for clothes that express intuitively.
mere reflection

Turnstyle caters to women who wants to express and celebrate femininity. Cuts of A-line silk shirts, elegant and sexy hang among a variety of other fabrics that drape and move-from dresses to skirts to cotton tights that are unbelievably versatile and fitting to different body shapes. A very distinct jean collection is arranged with selective attention to detail from pockets to embroidery.


mere boutique
The Turnstyle boutique has a air of creativity. Some of that creativity comes from the handmade jewelry collection by local artists and the montage of bags, belts, and scarves. The walls are lined with fine-art photographs, emanating feminine expression, for sale by local photographer, Eartha L. Goodwin.

The Turnstyle Boutique is located at 13345 Madison Avenue, Lakewood. Hours are Wednesday through Saturday 12-8pm and by appointment. Phone: (216) 226-3266

Written and Photographed by Eartha L. Goodwin, oneeartha@gmail.com

Saturday, November 04, 2006

Unveil your true expression with Eartha

Eartha L. Goodwin is ready to create images that speak some truth of expression.
I can travel to where you are or you may come to me. My rates are specific to the job.

Call Me (216) 861-5139 or email at oneeartha@gmail.com

photo credit: Nathan Luchese 2006

Friday, November 03, 2006

you create

pestilence transitionary and posed

Monday, October 30, 2006

Action is apparent

notclev

Refraction in a blink
connecting to an unknown link
fluidity defined
viscosity timed
reflecting all the information
my footsteps are silent
Impatience tempts
consciously
documenting the movement
there is a venting gasp
grasping the strength

Eartha L. Goodwin (9.6.98)
time to go...2006

Sunday, October 29, 2006

A forest

C
B
A

Monday, October 16, 2006

Beauty through Balance (for Aveda's Ken Novak) by Eartha L. Goodwin

Beauty through Balance-By Eartha L. Goodwin

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Tuesday, September 12, 2006

The Black Keys-images-2006 Eartha L. Goodwin

pray

Thursday, August 03, 2006

a.study of Stephanie

a.study of stephanie

b.warm

5577

s.cape

s.cape

Friday, June 09, 2006

A mere part of me

june 4. 2006 diptych

Wednesday, May 17, 2006

a mere image of Mike Levy

Mere image of MikeLevy
Mike Levy....:) for this reason and nothing else...mere inc. 2006

Thursday, February 23, 2006

Presenting the collaboration of Ken Novak hair design and Eartha L. Goodwin Photography at the CMB Style Event-CHICAGO MIDWEST BEAUTY SHOW

zendetail

Join us for an awe-inspiring night of artistry, creativity and inspiration on Center Stage! CMBS presents an evening of star-studded entertainment for beauty professionals. See the latest in hair & fashion from the pros. Daring looks, bold hair trends and haute couture fashion will entice your imagination, creativity and style.

Beauty through Balance-By Eartha L. Goodwin

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Sunday, March 5 | 8pm
Show Starts at 8pm
CMBStyle After Party Follows


PRESENTING THESE ARTISTS:
Sam Brocato - Brocato & Beautopia; Jamie Carroll - Australia; Scott Cole & Linda Yodice - Paul Mitchell the Color; James Harris & the Hair Fashion Group: Frank Walker, Maurice Lemons, Johnny Gentry, Dwight Eubanks, Elvonda Kennedy, “Cindy” Harris, Dino Ivory - USA; Ken Novak - USA; Martin Parsons - Canada; Rusk Creative Team - Rusk; Kris Sorbie & Noah Hatton - Redken (with fashion by Esteban Cortazar); Mario Tricoci - USA; Kim Whitehurst - SoftSheen-Carson; Marvin Young - Farouk

Monday, November 14, 2005

Portraits of Jodie

J5
O perfect Love, all human thought transcending,
lowly we kneel in prayer before thy throne,
that theirs may be the love which knows no ending,
whom thou forevermore dost join in one.
J7
O perfect Life, be thou their full assurance,
of tender charity and steadfast faith,
of patient hope and quiet, brave endurance,
with childlike trust that fears nor pain nor death.
J2
Grant them the joy which brightens earthly sorrow;
grant them the peace which calms all earthly strife,
and to life's day the glorious unknown morrow
that dawns upon eternal love and life.

Words: Dorothy Frances Blomfield Gurney, 1883

Tuesday, November 08, 2005

live in the background
I look behind and after
And find that all is right,
In my deepest sorrows
There is a soul of light.

poem by- Swami Vivekananda

Portraits of Toni and Riley
For the Family albumfamily portrait

Sunday, November 06, 2005

the vortex is open and evolving.

form as emptiness as full

beginning the vortex project

frames for the vortex

Friday, October 21, 2005

.this is not for you.

fallen

I do not wish to be your lover
Although I dream about your love

I do not wish to kiss you
Although I dream about your kisses

I do not wish to hold you
Although I dream about you holding me

I do not wish to stare into your eyes
Although I dream about your stare into me

I do not wish to smile
Although I smile when I see you

I do not wish for your safety
Although I feel protected with you

There is no resolution
There is so much to resolve

Revolving thoughts torment

Silence is sweet
Silence is death

I do not wish to be dead
I dream of life with you

There is another side, a side that I do not have any dreams of
The side that you have kept in your drawer

Thursday, October 20, 2005

Happy Birthday CLAES!!

Claes is three

Monday, October 03, 2005

An Artist Among us..recent article focusing on guess who?

So yeah.
Hello there people of the world.

The link above goes to this article about me....
I'm feeling a bit bizarre today.
the purge
Thats all ...read it if you like...

Friday, September 09, 2005

Buy photography and Send the money SOUTH

Over 400 photographers from around the world have amazing photos up for auction to benefit the victims of Hurricane Katrina.
KRA Button 1
Thank you.

Saturday, August 27, 2005

Environmental Awareness : new works including photographic images on canvas: September 16, 2005- Tower Press Building Cleveland, Ohio 6pm

yellow girlinto the treesburntoperfection
Images by Eartha L. Goodwin

Environmental Awareness is a collection of images produced by quick decisions and minimal but extensive manipulation through combinations of layers. One layer concerns human emotion, the other concerns nature. The process of the amalgamation is created by the technique of "photo sketching."

Using imagery, imagination, and delving into my own subconscious, I was able to vent a level of frustration I had acquired from the perrils of life-like death of a friend, and the other side...the death of nature.

With inspiration from my friend, who unknowingly led me to investigate what he believed in as a way to understand all things more intently. Daniel. I will celebrate Environmental Awareness for you, on your 30th birthday: September 16, 2005

Friday, June 17, 2005

The Tower Press Building-Coming of Age in Cleveland

from the PD-TP
Almost a hundred years ago, Cleveland city planners and entrepreneurs were in investing in answering the question- what will enhance Cleveland as a leading progressive city in the United States? Current day leaders within Cleveland are still answering this question today. The downtown area still serves as a crossroads of the city, being a place where ideas can meet and be exchanged, leading to the evolution of Cleveland through the 20th century.

In the early 1900s, many stylized buildings emerged as design became increasingly important to architects and business owners. Robert D. Kohn, an architect from New York was hired to design a building for the city block from the streets of Handy (East 21st) and Perry (East 19th) along Superior Avenue.

The owner, Morris A. Black, who had recently graduated from Harvard, was relocating the women's garment business, Wooltex Inc., that his father, Herman Black, a Hungarian immigrant, founded in Toledo.front entrance signage Morris Black had a particular fondness for the building that would become the H. Black and Company.

He was one of Cleveland's most important businessmen. Among his most noted public contributions is helping to found the Civic league in 1903. He believed that his city was placing too much emphasis on industrial growth and not enough on culture and education. His company would be Cleveland's first to use design and culture as the basis of the architectural elements for a factory. Morris Black succeeded his father's company as president until 1922.

The H. Black Building was renamed the Evangelical Building in 1928 and housed " the publication interests of one of Americas widespread religious denominations." The churches general offices were located in this building until 1940 making Cleveland "the most significant center in the life of the Evangelical Church," for 75 years. It still infers a sense of peace and strength both through the design elements of the architecture and in the functionality of the space, and the parallel analogies that make this building successful. The Tower Press building stands strong at 1900 Superior Avenue.from NE Superior

The building is a profusion of forethought collaborated by Robert Kohn and Morris Black. It was made using simple materials with skill, taste and "affection." Robert D. Kohn, a progressive architect of the era, designed this building to prevail among factory buildings. Kohn incorporated exotic details and the use of the common brick, stucco, and tile into the city's first reinforced concrete constructed factory.

The Tower Press building features a bright brick exterior with green trimmed windows grouped in pairs under segmental arches. A two-story center section connects wings, which are three stories in height. Rising from the center is a 130-foot tower that appears to stand guard, resembling a medieval fortress. The mystique of the building demands attention to those who pass it.

This project was the first of Kohn's three architectural contributions to Cleveland. Morris Black and Robert Kohn worked together again in 1913 to create another architectural beauty, when Black founded The Lindner Company on Euclid Avenue. The Lindner building resembles the art nouveau design that Robert Kohn incorporated a year earlier at the New York Evening Post building. From the South side of the Tower Press building you can see the top 3 stories of the Lindner Company peering over Euclid Avenue.

As Director of Housing under the FDR administration in 1934, Robert Kohn designed the county's first public housing project in Cleveland at Cedar and Central. He is an acclaimed historical architect with credits that include being president of the American Institute of Architects from 1931-32 and an honorary member of the British Royal Institute of Architects.

The structure at 1900 Superior Avenue was Cleveland's first glimpse of this decorative style of Spanish-Moorish architecture that was occurring mainly in the southwestern states.

As architecture paints a portrait of the city, the Tower Press building is a leader in the movement to create better working environments where aesthetics and functionality were emphasized. This is true from its conception to the present day as Cleveland's first zoned live/work loft spaces.

From the 1940's to the 1970's the building was occupied by various companies and tenants . The Cleveland landmark commission named it in the National Register of historical places on the first day of spring in 1977. But it took a pitfall, and fell into the hands of Cleveland lawyer, Martin Sandel; by 1987 the building had become vacant and remained empty and eroded away from the freeze and thaw of the 15 winters it was left untouched.northeast tower view

What is the mystery about this 1907 building? Perhaps it is the whisper of the Moorish and Spanish customs in the building's shapes and lines. The roof is made up of red clay barrel tile. Or it could be the obelisk water tower that twists into an octagonal viewing deck that attracts the affection of its viewers.

The tower was one of the "extras" when it was being built. At the time, it was typical to install an exposed framework for the water tank. But since, the designers' plans were about functionality, they chose to enclose the water tank. By doing this, the tower acted as an area for a bathroom and extra storage rooms.
tower press building.cleveland,ohio
In ancient Egyptian times, the obelisk towers were placed at different points in a city to represent a place of protection and stability, a space for safe haven. The tower seems to suit its destiny as the "tower suite." It demands stability from its $2200 a month rent. It also commands some pretty strong legs as there is 110 steps up the five story spiral staircase.

Some of the mystery is from the faded trademark sign, Wooltex Inc., symbolic of a garment industry that was the "it" point between Chicago and New York. Wooltex, Inc., the nations 3rd largest garment industry employed over 1000 people to sew, sell, cut, design, and distribute their famous label from Cleveland.

The blue and green tiles that add to the sparkle of the façade of the tower and underneath the arched windows were custom made by artists for a mere addition of five hundred dollars. On the walls inside there are some traces of the stencils that artists were employed to create to break the monotony of the long hallways.
front hall-entrance
Artists are still very much involved in sharing building's history. Former mayor of Cleveland, Michael White wanted to see this building preserved and utilized to support the arts in Cleveland. He must have shared in the same vision of Morris Black, looking to arts and culture for the city's enrichment. He bypassed the 1994 ruling by the city Landmark Commission to raze the building, and looked to developers to propose a new opportunity for the Tower Press building's future.

The Mayor's office contacted David Perkowski, a former partner in Charge Development, in December of 2000, requesting him to come up with a proposal for the building that could incorporate 20% of the space for artists at a below market rate. They gave him a promise of 2 million dollars and one week to come up with the rest of the financing for his proposed project. Dave Perkowski, having a background in banking finance, met his challenge, and with the help of National City Bank, in 2002 completed the 10 million dollar renovation.

The job of restoring this historical building was no easy task. Dave Perkowski said that they would literally have to re-measure the columns everyday due to their shifting from so much water damage. Many ceilings had caved in and some support walls had to be installed. The roof and windows were replaced and restored. The subtle concrete floors seem softened from polishing. Saw tooth sky lights, original to the design, serves as overhead light for many lofted units on the 2nd and 3rd floors.

When you are in the basement the sounds of the water moving through the pipes overhead and the yellow stains on the walls remind you that it was once completely filled with water. The basement that has only been partially excavated has a tinge of an old water stench in the air. It is softly overplayed with the scent of fabric softener coming from the new laundry room. The fitness room, also in the basement, is equipped with some modern day amenities like a flat screen cable television, treadmills and weight machines.

What were once the main offices of the building is now a bright modern day art gallery café run by owner, Hector Vega. The walls filled with art ring with color. At lunchtime, the air is filled with the aromas of panini sandwiches named after artists. The ceilings are a tall 14 feet. In the past, the long hallways that echoed the sounds of sewing machines and scissors now resonate Hispanic music from the café and laughter coming from the building's current tenants.

The first floor is allocated to the artistic community. Artists who meet certain income restrictions may rent space at a below market rate. But it is no easy task to get in, artists are chosen by a two-part juried entry process. It requires a resume and a portfolio. The portfolios are judged nameless by a panel. The selected few go on to an interview with area artists and community leaders, such Mr. Perkowski himself.

It is almost as if the building requires those who have vision to be involved with it. Many painters, photographers, filmmakers, writers, musicians and sculptors occupy the first floor setting the stage for many events and collaborations to occur. The artists of the first floor in the Tower Press building collectively open their doors to the public. The first floor is like a cultural base for the city allowing the convergence of ideas to occur and evolve. I think Morris Black and Robert Kohn would be proud to see what a full circle this building has taken in the past 100 hundred years.

From the Euclid corridor project to the quadrangle district's beautification, spearheaded by the 40 million dollar investment to the Plain Dealer building and Superior Avenue revitalization, Cleveland looks to the future success of this historic area.

Many developers like David Perkowski and institutions, such as Cleveland State University are currently working hard to facilitate a vision for growth in the downtown area. As a result, many historical buildings that have stood vacant for the past decade are being restored and modified into living spaces and reinvented to serve new functional purposes with the modern citizen in mind.

Cleveland State University's master plan indicates plans of several historical buildings to be renovated for the growing uses of the student and faculty. Hopefully that of the university's vision for the area just 3 blocks from the Cleveland State University campus will mirror the success of David Perkowski's development of the historical Tower press building, at 1900 Superior.

Monday, May 16, 2005

facer

Friday, May 13, 2005

REFLECTIONS WITHIN THE ENVIRONMENT :PHOTO SKETCHES

envirovixen

thoughts of the forests

hy

we are a part of the ecosystem

rare finds

Monday, March 28, 2005

window in a windowmill stoodmill crossed
in the bowl b&w
self with 9 lives in the background
Shady white van pittsburgh

Sunday, February 27, 2005

Hello from Richard and Eartha in Cleveland

papa and mama in the mirror /nikon f100

Saturday, February 19, 2005

Stop Hate series

stop hate
When the idea to create the Stop Hate series of photographs came upon me, I did not anticipate the heaviness it would further imply. The idea was a gift through the silence of my thoughts. I believe it to come from that quiet voice we have that no one else can hear but yet we all share. The simple act of writing two words on your hand causes one to stop and reflect on the meaning, perhaps for the same amount of time it took to write it. It calls us to contemplate our own civility. Nevertheless, a seed is planted in the complexities of our subconscious.
I find the hand to be universally similar in communicating, but it represents something different from each individual. I chose to group the hands together to show how a simple meaning can become entirely new and complex. The montage technique used for the Stop Hate series accentuates a volume that can be heard as well as seen.

Friday, February 18, 2005

CHLOË HOPSON AND THE PASSPORT PROJECT

Ba-boom, ba-boom, ba-boom….this sound is the bass-line that links our hearts together regardless of our race, ethnicity, gender, or class. “ No matter where we come from, no matter who we look like – we all have this in common and we share this connection,” says Chloë Hopson, the mother of Cleveland’s Passport Project and the artistic director of the Global Dance and Music Collective. Her mission in life has become a dance through schools and communities, against the social constructs that breed racism and close-mindedness. Chloe

Underneath Chloë Hopson’s fair and freckled complexion is an African American woman who is as complex as the mass amount of curly hair on her head. Her voice is strong and her words carefully articulated. The lean, multi-cultural dancer has big brown eyes that reflect an affirming inner strength and sensitivity that you cannot say no to, and most people do not.

Since 1998, Chloë Hopson has been infusing Cleveland and its surrounding school districts with culture and diversity based on “tolerance, respect, and shared communal experience.” Her efforts have been noted both locally and nationally.
The residencies of Miss Hopson’s Passport Project explore various cultures through music, dance, visual art, and drama. Through the residencies, professional artists, dancers, musicians and other qualified individuals, that could not say “no” to her mission, go into schools and community centers to color the minds of children and adults alike with lessons aimed at acceptance and the celebration of diversity through a literacy-based exploration of cultures

I met with Chloë Hopson for a tour of the Passport Project’s base at 12801 Buckeye road located in Cleveland. The building is situated at the crossroads where Cleveland meets Shaker Heights. This is an area that connects some of Cleveland’s most financial challenged and most financially set. It is a setting that is symbolic of the message she shares.
Chloë Hopson is determined to bring to the community, a kind of place that enhances a person’s identity –no matter their nationality. It is here in this modest building, whose neighbors include some fast food American culture and lower to middle class homes, the community can come learn and experience the dynamics of the music and dance styles from Peru, Spain, South Africa, Brazil, Mali, Africa, U.S.A., the Middle East, and Mexico – just to name a few.

“Diversity,” she says over and over again as we walk together through several rooms that includes studio spaces that serve as the meeting place for teaching the cultures of the global community and the visual arts and crafts. The building is a constant work in progress, evolving as the center develops more programs to support the community.
Chloë Hopson is constantly searching for new ways to better the space, making it more conducive to the learning experience. Improving the space includes moving some walls and expanding the darkroom for the upcoming photography class taught by yours truly.

Her office is a sheer reflection of what she values. Books on countless countries and their cultures, music and their origins, dance and technique, and the all important grant and proposal writing guides, all of which the Passport Project is founded on. Her 501(c)(3), non-profit, multi-cultural organization has served thousands of children and adults in various settings.
The space is filled with photographs of close up portraits of children from around the world taken by local photographer, Halim Ina. Sharing the wall space are several mural sized paintings, created by the school children from the residency programs. The paintings are a visual reminder of the folktale that inspired the piece and the cultures where they stem from.

Chloë Hopson believes that bringing people together from different backgrounds is essential in the learning process. “This particular mural was inspired by the Amazon rainforest in the folktale, The Great Kapok Tree, written by Lynne Cherry,” she says, pointing at a mural-sized painting in one of the two dance studios. The painting is filled with tropical foliage and vivid colors that was made by the children of two different schools from completely different social class structures and cultures.
Students from an inner city Cleveland elementary school were introduced to students from a private Jewish elementary school located in Pepper Pike. The 4th graders have been meeting with each other since October, to learn about each other through interviews, where they share each other’s interpretations of life, living, and the folktale they are learning. They work together to make their own costumes, write their own scripts, and make the set. The end result is a grand collaboration where they perform their interpretations of the folktale in front of their families and friends.

Chloë Hopson adds to the essence of the Passport Project because of her inherent capability to recognize new ideas and act as a facilitator. This ability was instilled in her as she grew up in the same Buckeye-Shaker area. Her mother took initiative in culturing both Chloë and her sister by taking them to Toronto many times and seeking out festivities within Cleveland that would open her daughters up to new people and experiences.
foot

She was enrolled into the Cleveland School of Ballet in downtown Cleveland. At 16, she moved to Santa Barbara with her mother. Her travels out west include working in San Francisco on the options floor of the Pacific Stock Exchange. She says that ironically enough there were many artists who also worked there.

As Chloë Hopson contemplated her undergraduate degree in California, she decided to study at Cleveland State University, where she earned her BA in Music and a minor in dance, in 1995, then onto Case Western Reserve University for a MFA in dance in 1997. twist

She is currently looking forward to celebrating Black history month, through the Rice branch of the Cleveland Public library. There will be a Senegalese drum circle with drums are provided by the Passport Project’s Global Music and Dance Collective. Among the many performances that group will do will be at the Tri-C Jazz Fest.

It is no surprise that Chloë is where she is now - reacting to the tensions of urban society by actively seeking out situations where diversity can break through communicational barriers. She will continue to plant seeds as much as she can. Cleveland will reap the benefits from the Passport Project and Chloë Hopson’s continued efforts to combat the country’s 2nd most segregated city cultural restraints. One can only hope there will be more pro-diversity doers that will mirror the successes of the Passport Project Center.
To contact Chloë Hopson and the Passport Project, go to www.passportproject.org and call 216 721-1055 The next session for classes begins on January 11.

Saturday, January 29, 2005

Thursday, January 27, 2005

some more poetry I wrote

Poking holes through my sanity
I speak once more
Out to all the violence
And Vanity

Turn it off
Its invading my space
Keep it on
I must save my face

Kill as they watch
So we can watch
Thrills thrown down
Fall Fall Fall
Fall through your frown

Some poetry I wrote

Black Symphonic
The lights of movie and jazz
Bubble up- popping through the dance
Laughter in another room
Butterflies Love Heavy
Feeling stomach hate
Meanings conglomerate
Strumming pounding
Crash.Crashing
Push.Pushing
Do. Doing.
Think. Thinking
The dance is now
This light is exploding as the inspiration flows
Feeling Felt
Muted glow
Color of my skin
I can- capture this.

Monday, January 24, 2005

THE CONTINUING CRISIS OF ENVIRONMENTAL PROTECTION

While in office as Governor of Texas, Mr. Bush once said: "It isn't pollution that's harming the environment. It's the impurities in our air and water that are doing it." Just two years after this Yale graduate made this naive statement, he became the President of the United States.
soldiers for the system
He leads us into a new territory, where big business prevails and the environment suffers. When the environment suffers, its inhabitants suffer.

LTV Steel

One outcome of pollution, is not just that plants and animals are starting to grow abnormally due to the damaged composition of cells that creates their form, but the kinds of effects it has on humans.
cleveland's own
According to the EPA, with information founded in the Mercury Study Report to Congress (December 1997), the highest emitting source of mercury is coal burning power plants. Once mercury enters waters, either directly or through air deposition, the bioaccumulations in fish and animal tissue evolve into, methyl mercury, the most toxic form of this pollutant.

A study released by the National Wildlife Federation states that rain falling in Cleveland contains levels of mercury that are 31 times higher that the EPA considers safe. “ The monitoring we’ve done in Cleveland shows levels of mercury in rain that far exceed what the EPA considers to be safe in the waters of Lake Erie. So instead of cleaning Lake Erie, the rain is contaminating it,” says Zoe Lipman, of the National Wildlife Federation’s Great Lakes office.

Human exposure to mercury occurs primarily through eating contaminated fish. Exposure to high levels of mercury has been associated with serious neurological and developmental effects in humans. Depending on the dose, the effects can include subtle losses of sensory or cognitive ability, tremors, inability to walk, convulsions, and death. Pregnant women are at greatest risk because the developing fetus is the most sensitive to the effects from methyl mercury.

Thirty-nine states have advisories for mercury in one or more water bodies, and nine states have issued statewide mercury advisories.
End of "The Pipes"
The negative effects of mercury could be changed in respect to human health and the prosperity of the human intellect.

The health risks of Sulfur Dioxide affect people everyday in urban areas. Sulfur dioxide is an enemy to healthy breathing and an active lifestyle. Linked to triggering asthma, it causes the airways to constrict, which initiates wheezing, chest tightness, and shortness of breath.

t

Nationwide, asthma is most common reason for school absenteeism. It ranks as the fourth most common reason for pediatric office visits. It also accounts for a third of all pediatric emergency room visits.
Cleveland ranks 90th on the list of the top 100 cities for asthma put together by the Asthma and Allergy Foundation of America. Cleveland is home to approximately 120,000 asthma patients.
enviro-hardhats 4 kids
On a drive during a bright, sunny afternoon, we found ourselves in a quaint little neighborhood named Timberlake village, on the shore of Lake Erie in Lake County. We found it because there was these two smoke stacks that seemed to be rooted right in the middle of the neighborhood amongst the trees. We decided to take a closer look. It seemed bizarre that anyone would actually live right underneath a plant. We drove on in to realize that these people really do live underneath a plant- a coal burning-“grandfathered” First Energy power plant called the Cleveland Electric Illuminating Company.

The well kept houses and manicured yards sat unassumingly under the two large smoke stacks. When we found the edge of the neighborhood, we spotted the ironic picturesque setting of two neighbors both outside in the front of their middleclass homes. One resident was washing his car while his two small daughters, wearing helmets, rode their bicycles with training wheels just to the edge of the driveway and back. Next door, his neighbors were firing up the grill in their driveway. We stopped and asked them if we could take a photograph of the relationship of their homes to the smoke stacks.
table and coal

During the 15 minutes that we were there, we learned that these smoke stacks don’t just hover over the neighborhood. They are affecting the life of each and every single person living in this neighborhood. From the street, you could see a fence that appeared to have black plastic on it marking the divide from the backyards to the plant. But, when we went into the backyard we realized the black plastic was actually black coal unloaded from the train that also marked the divide between the residents and the power plant.

We commented on the cleanliness of the neighborhood in contrast to the power plant. She responded by telling us that if we had shown up a day earlier, we would have seen the snow blackened by the coal soot. She pointed out to the driveway, showing us the stained cement.
She also looked off to the children on their bicycles, and mentioned that most of the children that live on her street have asthma and constant bronchitis. She went on to say that in the summer, when there are a lot of outdoor activities, “black boogers are very common among the noses of the neighbors.”

When we asked what kind of response the Cleveland Electric Illuminating Company had for the residents of the Timberlake community, she explained that they would wash their cars and houses when they receive enough complaints about the soot. When we asked what kind of response they had for the growing health issues of the neighborhood, she spoke of the plant being “grandfathered,” and that new Clean Air regulations do not pertain to them in cutting down their emissions. She had no answer in terms of healthcare.

According to the Ohio EPA, the Cleveland Electric Illuminating Company power plant released air emissions that are above the acceptable threshold in 2001. They also inject waste chemicals into the ground and surface water. Their compliance with EPA standards as of 2004 is unknown to the EPA and the rest of those who question it.
The example of the community of the Timberlake Village living under the shadow of First Energy’s soot represents the silent cry of a society burdened by poor legislation and irresponsible power companies.

In the meantime, the citizens of the United States live with a false hope that things will get better. In observation of the 34th celebration of Earth Day, House Democratic Whip Steny Hoyer (MD) released a press release, which included that "One in four people in America live within four miles of a major toxic waste site. Yet this Administration has abandoned the bipartisan principle of the 'polluter pays' to fund this successful program, shifting billions of dollars onto the American taxpayer.”

In 1977, the New Source Review rules were set into place as an answer to update the gaps in The Clean Air Act that was signed by President Nixon in 1970. This new set of rules was aimed directly at the older coal burning power plants.
Under the New Source Review, a company could operate an old factory as long as it wasn’t substantially modified. It was assumed that eventually the company would have to update its equipment. At that point, the new source review rules required the company to install the best available pollution-control technology. This would allow the companies to gradually acquire and maintain cleaner factory status instead of all at once.

These rules only affected a few coal burning plants during the 80’s and 90’s, meaning; they converted to natural gas, which burns cleaner than coal. During this same time of progress, many others were just retooled to keep those plants running longer-often pass their expected life spans and few were fitted with the scrubbers and other equipment required by the new source review.

The biggest problem with the new source review rules was that enforcement never occurred to the EPA until 1996-a mere 19 years after the rules were put into effect. The EPA only assumed these companies would comply with the new source review.

“These companies understood what was going on, and a lot of them thought they could evade the law. They put themselves in the financial situation where a lot of money was at risk by not meeting the terms of the New Source Review for almost 20 years. The amount of money at stake was enormous. Potential penalties ran to $27,500 per plant for each day it had been in violation.” says Sylvia Lowrance , who was the EPA’s top official for enforcement and compliance from 1996 to 2000.

Some of the nations top energy companies were operating without new source review permits and releasing millions of tons of harmful pollutants into our air. The EPA began scrutinizing these companies and collected an overwhelming amount of evidence of transgression by the coal-burning power industry.

Sylvia Lowrance said that it was “the most significant noncompliance pattern that the E.P.A. had ever found.” These findings were enough evidence to legally force the power companies to install the best pollution controls and drastically cut emissions across the board by 50 percent or more.” This would have been a truly historic moment for environmental progress.

During the Clinton Administration lawsuits were brought against these companies who were in non-compliance, some of which who had been for over 20 years. First Energy, American Electric Power, and Cinergy, all whose headquarters were in Ohio, were among the seven power companies first charged with illegally discharging massive amounts of pollutants.

In February 2000, Tampa Electric agreed to pay a $3.5 million dollar civil penalty. This penalty only amounted to just 2 percent of their profits from 1999. They also agreed to take the challenge and stand to duty by spending $1 billion dollars on new pollution controls. These new pollution controls removed 123,000 tons of pollution from the Florida sky. Dr Daniel Lashof, Science Director at the Natural Resources Defense Council, said: “ We have the technology now to reduce pollution, but polluters need to stop staving off pollution controls and get to work fixing the problem."

Even after the obvious mistake of E.P.A.’s assumptions of power companies making the right decisions, in 2003, President Bush, spoke to an audience of, one of the worst polluters in the U.S.A, the Detroit Edison power plant executives and workers about the New Source Review. He said, “ The old regulations undermined our goals for protecting the environment and the growing economy.” He also said “ We’ve simplified the rules. We made them easy to understand. We trust the power companies to make the right decisions.”

Bush and his administration essentially have eliminated the rules all together, reinventing the New Source Review into an empty set of standards. This was done quietly through mandates creating a financial victory for the coal burning empires and a sad defeat for the health of the American people.

The power companies charged by the E.P.A. in the late 1990’s were about to be forced to clean up. This would have marked a historic leap in the right direction for environmental progress and human health.

In 2000, while Bush was running for president, many of the power companies under suit, made enormous donations to the Bush campaign. Among the list of “Pioneers,” which is the name given to those who donate at least $100,000; eleven of the companies charged in 1990’s were at the top of the list, among 6 others, who were lawyers and lobbyists for the companies under scrutiny and litigation of the new source review. One could argue that these donations were made in order to be rewarded for their generous donations.

According to President Bush’s National Energy Policy published in May of 2001, environmental regulations had inhibited America’s domestic energy supply. The N.E.P announced an agenda that included decreasing wilderness and wildlife protections by opening up public land to oil and gas development, expand off oil and gas drilling, and replacing Clean Air Act rules, including the new source review, with an industry friendly market based pollution trading system.

President Bush appointed new leadership in the E.P.A., one being Jeffrey Holmstead, and a former energy industry lobbyist working to weaken the Clean Air Act rules. Thus resulting in the lawsuits against the offenders being dropped. Because of the currently “gutted” new source review rules, the E.P.A has lost the basis and the leadership that had given them ability to impose justice for the environmental wrongdoings of the energy empires. The issue of the environment is of utmost importance because it affects the very basis of human, plant, and aquatic life. If we as a nation do not nurture these key fundamentals of life, we will lose them forever.

When Bush speaks of the environment, he glosses over the real issues at hand. Having sided with the erroneous energy empires, he has progressed the stripping of the American people’s rights; the right to breathe clean air, the right to eat food that grows from untainted soil and unpolluted water, the right to have a normal functioning body, and the right the live in an area where a resident’s voice is heard by the utility companies in their proximity and not muffled by the trail of campaign funding.

Eartha L. Goodwin's short biography

As a teenager I began experimenting with making my own wallpaper through collage. Five years passed as the walls became completely covered with photographs. The simple concept of making wallpaper evolved into something that I can see now was the making of my own interpretations of experiences that I was having during this time. The content of the images were mostly faces fitted with expression. Sometimes I would group them with words. They landed on my walls connected with scotch tape. The way the images were grouped together was never planned. Driven by the sheer feelings of inspiration, the photographs were connected together as if I was working toward a great big answer to some great big question.
Still driven by inspiration and expression, I find extreme enjoyment through photography. After moving to Atlanta in 1996, I started shooting and printing pictures seriously. Through working at major photographic supply houses like Showcase Inc. (Atlanta) and Dodd Camera (Cleveland), I have learned an immense amount of information about this constantly evolving medium. I have done work for clients such as the Georgia House of Representatives, Art Papers, M.A.D.D., NBC, and Boys and Girls Club of America. I have also photographed several weddings and portraits in both classic and contemporary journalistic styles. Since moving to Cleveland in 2001, my focus has been developing my own personal vision through projects and exhibitions that include photography and video incorporated with sculpture.

Thursday, January 20, 2005

Tearing down the "former" Electronic Institute Building on Euclid Avenue

These photographs and many more which will be up later were taken while my son was very small...he would sleep and sleep and sleep. To alleviate myself from the cabin fever I was experiencing...I would drive around looking for things to photograph. Well, I found it- The Electronic Institute Building, which ironically enough, I had found very interesting when it was completely intact. I was always attracted to the yellow wall. I thought that it would make a great backdrop for some fashion photography. But as luck would have it..I would end photographing the wall in its last days-actually its last six months.....


man vs. nature
The razing of the electronic institute building series
The razing of the electronic institute building series
The razing of the electronic institute building series
The razing of the electronic institute building series
The razing of the electronic institute building series
The razing of the electronic institute building series
The razing of the electronic institute building series
The razing of the electronic institute building series
The razing of the electronic institute building series

Red wall with framed semi-arms and Robert Dinero

red dinero
triangles

Greetings from Eartha L. Goodwin

Hello. I would like to introduce myself to all the people of the world. My name is Eartha L. Goodwin.
Currently, I live in the polluted city of Cleveland, Ohio.





I am a mother of an awesome two year old son, Claes.


He is named like the Swedish sculptor, Claes Oldenburg. Among his many noted POP ART sculptures
is the Free Stamp located
here in downtown Cleveland. It sits in front of City Hall.

His name is pronounced like Klahs.....not Clouse.....I must say I hear a lot of that, and it has started to urk me a bit, especially since I say his name how it is suppose to be said.



I am also a sophmore/junior at Cleveland State University. I am taking this opportunity to enjoy a "formal" education in the school of communications with a special focus in journalism. Communicating is something very important to me.
Really. I can't lose myself in front of a TV for too long without feeling disconnected from what is real.

For the past 8 years I have been known as a photorapher and custom printer. I photograph everything, but not just anything. I like to capture expressions of people. I think it helps me get to know myself (in some odd way) a little more each time. I see now that writing is a major player in the quest to achieve that balance...and that is why I am here ...TO WRITE and BE READ. Photos occur naturally in the mix, but the words come out a little differently...a bit more challenging to organize feelings and thoughts into words.

MOVING

moving from home

truck

Wednesday, January 19, 2005

girls on film

11
l10da

child like photography

t
"On the fence" living on the edge of LTV

From the "Lost and Found" series
h

s

Saturday, January 08, 2005

TIME STANDS STILL-Eadweard Muybridge and the Instaneous Photography Movement

Realism, control, invention, the study of movement, stopping motion and then restarting it creating it again in a new medium-Cinema. The birth of cinema is upon us. The show is on at the Cleveland Museum of Art. Time Stands Still, a show compiled with the first photographic works and studies totally dedicated to movement teaches how vision, technology, and skill can overcome and move forward, mimicking the motion it wishes to freeze. Themes of simplicity and sequence transform the whole arrangement into complex shapes of information that represents science and expression.
The collection is made up of albumen, salt, cyanotype, and colloidal type prints. The printing processes and techniques alone represent a history all their own. There is a polite shift from warm to cold in the tonal values of the prints juxtaposed amongst the blue and warm-toned walls of the exhibit.
Eadweard Muybridge ‘s work is the main focus in the exhibition. His studies and inventions have earned him the title - the father of cinema. He is accredited with showing the first motion picture in 1880. Originally a landscape photographer, at the age of 42, he was introduced to and inspired by the concept of instaneous photography. . In 1872, Leland Stanford, the then-governor of California, commissioned Muybridge to study the movement of his horse, Occident, in order to answer the $25,000 question, “Did the four legs of a galloping horse all leave the ground at any point?” With the funding from Stanford, he began his extensive studies of locomotion of animals and humans. In 1879, Eadweard Muybridge collected his winnings by showing proof that a running horse lifted all four feet of the ground at some point.
To create a motion sequence, he set up 24 cameras on a lateral track linking them all together with his own invention of an electrical timing device. He also had to perfect the mechanics of the shutter. The end result is movement intricately sliced in time, frozen solid. Giving us a view of that of which our eyes cannot distinguish without help. The end result of movement halted in form infers scientific study. Although, in content, the visual narratives are realistic, simple, sometimes comical, and expressionistic. The sequential approach taps into our own persistence of vision.
The zoopraxiscope, invented by Muybridge in 1879, allows the viewer to witness short loops of images that he assembled from his movement studies. The impressive brass and wood projector is on display at the exhibit. Despite the name, the unit is impressively simple. It is equipped with a wheel of the infamous “Occident” study. You push the button that turns the lamp on and start spinning the crank. The light projects the images through a lens as they rotate. The projections create the illusion and duplication of movement recreated within the parameters of time.
The instaneous photography movement sought to freeze motion. Examples of the wide spectrum of ideas are represented in the first room of the exhibit. The warm albumen and salt prints of images like that of “sailing ships” stopped in mid-ocean motion by Eugene Colliau are among one of the many instaneous photographic quests. “The mechanism of human facial expression” by a neurologist, Guillaume-Benjamin Duchenne de Boulogne involves a sequence of a man’s face, close-up in different positions, resulting in an uncomfortable and intimate encounter. Studies of acrobats, children, people, and animals are just a few of subjects that add a unique diversity to the exhibits collection of movement studies.
The final rooms of “Time stands still,” the viewer is treated to a movie of many of Muybridge’s locomotion studies. About 10 minutes in length, the film treats the eyes to the ultimately artistic expression of the stillness of movement. The persistence of vision is activated. The last room consists of work by Degas and other artists who were influenced in their painting style and content. “Time stands still” is historical, scientific, artistic, and conceptually moving exhibit. It implies that the evolution of vision is still evolving in many forms and mediums.



MY VISION QUEST IN CLEVELAND

Line, shape, color, space, size, scale, transparency, and dimension; The elements that make up the environment are all around us. They are each affected by things like light and darkness, weather, construction, pollution, and many other variables.

All of these things put together represent a part of the overall meaning that each of us differentiates and incorporates into our everyday visual life. Whether or not we acknowledge them, they stay in the peripherals of our vision still communicating to us a diverse visual language.

I decided to take a photographic account of some the compositions of the elements in Cleveland, Ohio and the public sculptures that are placed around us that make up our city’s visual structure. Public art is a part of the structural conversation that provides interesting exclamations of the people’s response to the environment around them.

During my vision quest, I found a lot of sculptures of people. Important people of the past are placed in front of buildings and in our walkways to remind us to remember.
DSC_1841
The Virgin Mary statue in front of a local church reminds us to pray and be at peace. Viewing her from the side she becomes larger than life. She seems to be emanating a sense of peace to the unassuming inhabitants of the building in the background.

Another visually stunning use of sculptural elements is the St. Theodosius Russian orthodox cathedral in the Tremont neighborhood. This place impresses my vision, but also my sense of time.
theo
The patina gives the domes a sense of age that embodies many periods of influence. It is when I shift my focus to the surroundings that I realize the year is 2004 and I am in Tremont, not old Russia.

There are several Cleveland residents who have adorned their private landscape with sculpture. DSC_1692In particular, there is a sculpture garden on the West side of Cleveland. The landscape is ornamented with many contemporary and modern sculptures. The outside montage consists of heavy bold structures, dripping surreal Dali-like forms, and small colorful shapes. sculpture gardenIf you can find it, the corner is certainly something that will stop you in your tracks.

Since 1991, the Free Stamp has been located in Willard Park in downtown Cleveland.
If you haven’t seen it, the giant metal and steel sculpture takes the form of a rubber office stamp with FREE carved in relief facing backwards up into the sky.
FREE-back cover
It is ironic that the building that the FREE seems to look at is the BP building. Standard Oil (now BP) commissioned the artists Claes Oldenburg and Coosje van Bruggen to design the FREE stamp.
It was originally intended to be placed with the stamp down, as if the earth was the paper so that the FREE could spread across the land. But, as events would have it, the City of Cleveland now owns the piece.
I enjoy the juxtaposition it plays into with City Hall and the other buildings of “power” in that central location.

Cleveland has sculptures in many parks, cemeteries (Lake View, to mention one), and schools, just to name a few.
foghourneoobe

Ohio has over one thousand outdoor sculptures that are for the public to view.

A list including photographs and other specifics is compiled online at http://www.scuplturecenter.org

The next time you come across something visually interesting, I suggest stopping. Take a look at it, take into account the surrounding atmosphere, maybe you’ll learn something new and develop more meaning into your own visual life.




October 30, 2004- the news of Daniel's death....

We were half way ready for the Halloween party when the phone rang. I was going as the Hispanic artist, Frida Kahlo. Richard was going as Andy Warhol. We were in the middle of making our costumes. My hair was parted in the middle and pulled back with my cheeks painted a rosy red and a black dress ready to be adorned with color. I was excited about getting into my friend, Barbara’s jewelry to decorate my ears and neck and finish off my costume. Richard was recycling a thrift store Barbie head of hair. Hot glue and Barbie hair on an old pair of my nylons sat on the table. The whole room froze when the phone rang. I saw the unfinished reflection of myself as Frida Kahlo wash away in the mirror when I heard his voice turn lost and shallow, “ just like that….” “Oh no,” I said, “oh no.” We had known that Daniel, Richard’s brother went missing the night before. We had visions of him driving all night on lonely highways, making his wayt o Canada, Mexico, even Illinois. But I guess the fact that he was suicidal wouldn’t really permeate into anything until it was true. It hadn’t really registered. We wanted to trust his will to live. But we were fooled, as the young boy and his father wandered over to the tree in the park in Wadsworth, thinking the body hanging was some kind of Halloween gag. And now there is death. There is loss. There is sadness, even anger, and most of all there is disbelief.

Wednesday, December 29, 2004

EVOLUTIONARY REVOLUTIONARY: Richard D. James, the Aphex Twin

words from Eartha L. Goodwin


I first heard Aphex Twin in 1994. The music started and I was smitten. The dark bass rolled out of the speakers onto the floor and the air became inhabited by glittering strands of melody. It emanated a sincerity of some great meaning that was taught through the soundtrack of emotions. While it created an atmosphere of intellectual rhythm that promised to fill the void, the contrast of the sounds collectively produced a musical landscape both complex and simple.
Richard D. James converts his diverse personalities into revelation and aural pleasure. He clarifies himself through sound. He is gritty and smooth. Dirty and clean. His creation, from the ages of 15- 19, of Selected Ambient Works I 85-92 is known to be concentrate from which ambient music is fused. This revolutionary album breathed life into a new genre of electronic music, which has evolved into much more than sound. His music is like big reverberation puzzles. You figure it out and then the sound explodes into an even bigger picture. Distortion and orchestral melodies fuse to create a driving force. Chaotic beats are delivered into nostalgic beauty.
Over the past two decades Richard D. James has taken on the aliases of Aphex Twin, Polygon Window, AFX, GAK, Analogue Bubblebath, and Qi-Chastic. He produces some of the most brilliantly innovative electronic musical artists, like Squarepusher (also on Warp), on his very progressive Rephlex record label in London. With the exception of AFX (produced on Rephlex), you can find the bulk of his best work at Warp Records. Drukqs (Warp, 2001) is the most recent double album by Aphex Twin.
His collaborators include director, Chris Cunningham, Mike Paradinas (u-ziq), composer, Phillip Glass, and The London Philharmonic orchestra. The video for Windowlicker that Cunningham created with Mr. James is profane and satirical. It is filled with an unusual mixture of beats and parody. Cunningham also translated his music into a robotic sculpture called Monkey Drummer. The piece is made up of a monkey with several limbs that take on a variety of forms. One of the attachments uses wires connected at the shoulder then taking shape of a realistic-looking human arm to hit the drum. His musical style runs through the notions of classical, trip-hop, jungle, techno, avant-garde (just to name a few), never the less, he always guarantees the genuine spice of his persona. You can trust him to an indistinguishable consistency.
His songs on all the albums are made up of different musical recipes. He uses close focus on sounds that are microscopic like the marching of ants on a leaf. He takes into account all the elements-the wind passing through the leaves –the crinkle of the leaf under their feet- the way the sun feels. He may incorporate thunderous vibrations through it all at and shift his sound focus to rain-like trickles that take the song to a new level. His abstractions of sound make total sense and then no sense at all. High-pitched swishes could strike out of nowhere at anytime. He uses layers of volume to control his message Repetitious beats can suddenly break into orchestral bliss. He uses different objects like asthmatic inhalers on Ventolin (Warp records). There is also a track on Ventolin that consists of only a person laughing. Mr. James warps sounds and stretches them around each other.
I look back over the past 10 years that I have been listening to Aphex Twin, and I realize that he is a true auteur of electronica. His personality infuses his music. He follows no preconceived ideas or stereotypes. His choices in innovation have developed his conceptual process of creation. His influence over sounds continues to bedazzle. His musical landscapes take the listener across many dimensions of space and time. I would personally like to mark my appreciation to his genius for inspiration, enlightenment, and a more diverse view on all of music’s genres.